For example, even within English, there are regional differences that can sometimes prevent fellow English speakers from having the same understanding of even simple conversations. Winter can get cold, and when that happens, people in the United States (US) might want to buy a sweater. However, in the United Kingdom (UK), if you asked for a sweater, you might be met with some confusion. Sweater is not the common word that people in the UK would use. Instead, they would use the word “jumper.” Conversely, if you asked for a “jumper” in the US, you would be met with a lot of confusion because the word “jumper” is typically reserved for people who do such activities as jumping.

Moreover, word for word conversion is the number one killer in rendering translation and interpretation. Often times, target audiences have no idea of what a translation is trying to say is because of that. For example, we often have to adjust English to Chinese translations done by other people, and to make the focus of each point clear and to be sure it’s easy to read and understand. The issue is that the original translation was literally written in a way that followed English words and grammar too closely. Unfortunately, Chinese grammar is not the same as English grammar. Therefore, ideas/points were not communicated easily and clearly for Chinese readers.

Another tough aspect to deal with is related to cultures. Many translators or interpreters struggle to find a perfect fit to certain idioms or phrases that might be frequently used in one country, but not in another. For example, in Japan, every time they eat, they have a small ritual of expressing gratitude for the food both before and after eating the food. In most other cultures, there is no such ritual, so it is hard to perfectly translate it. In general, there are many phrases in Japanese to show respect that would not translate easily into other languages without the same kind of rituals. Instead, translators and interpreters will have to skirt around and find similar phrases or words that will be “good enough” to convey the meaning.

Culture is a big part of what makes languages end up having such a big gap in phrases and words, and because of that, a one to one translation is virtually impossible for languages. There will almost always be at least some tiny nuance that is lost in translation. Even so, translators and interpreters do their best to minimize these bumps in the road. Translators and interpreters ensure that even if nuances are lost, an understanding is still able to be passed on, which in our opinion is the essence of translation and interpretation.

Look through the translation only
It’s possible to be too “close” to your own work. Artists will say that after hours of slaving over a piece of work and still feeling unsatisfied, they have to step away for a while to give themselves some distance. Coming back later with a fresh view, they might instantly see what’s wrong and know where to put the finishing strokes. As a self-editor, translators should do the same: a few days after you’ve done a translation, come back to it and reread it as if it were originally written in the target language – that is, without looking at the source. The combination of a fresh look and reading the target text by itself can help you judge whether the translation flows well in the target language, sounds idiomatic, follows the structure of the source too closely, etc. Taking a fresh look will also help you identify errors in spelling, punctuation, grammar, etc., which you may have missed the first time around. Of course, that doesn’t mean you can completely toss out the source as soon as the first translation draft is done, which brings us to the second suggestion.

Compare the source and target text
After reading the translation, the second step is to refer back to the source text to see if there are any meaning errors, omitted information, etc. Avoiding any meaning shifts is always on a translator’s mind, but it’s possible to make them without realizing, which is why comparing the source and target again is necessary. Editing a translation, just like translating itself, requires solid command of both languages in order to feel the subtle differences between them and tell whether the translation is a proper rendition of the source text. Be particularly attentive that terminology is translated correctly, and consistently. Make use of term bases provided by the client or agency, and don’t be afraid to ask for them if they haven’t been given.

Format checking
After making sure the content is all good, the last step is to check formatting and layout of the translation. This often may be as simple as matching font and font size, making sure that a few bold, italic, or underlined words in the source are mirrored in the target, or that a hyperlink is in the proper place. Other documents may be formatted in a more complex way, with tables and images which need to be properly recreated or inserted.

The fundamental aspect of producing a translation may be, well, translating, but skilled and careful editing is also imperative. How many authors can write a novel without ever looking at what they’ve written? Following the above three steps will provide a good basis for editing a translated work properly in order to get it ready for delivery.